Monday, 5 May 2014

Promoted posts are a quiet revolution in the value of social

Jerry Daykin: global digital director at Aegis Dentsu Network and former European social marketing manager at Mondelez
Jerry Daykin: global digital director at Aegis Dentsu Network and former European social marketing manager at Mondelez

Brands that promote content people don't want to see will provoke a negative response, writes former Mondelez Europe social marketing manager Jerry Daykin.

More content is posted to social networks than anyone could ever consume. Facebook applies its "Edgerank" algorithm to try to "surface" relevant content; while unfiltered platforms like Twitter effectively use "Timerank", showing only the most recent. On some you compete on engagement, on others on timeliness, but nowhere will all your followers see everything you post.
It’s easy to criticise Facebook for cunningly decreasing the organic reach of Pages and asking brands to pay more, but it’s no coincidence this decline was matched by a steady increase in the amount being published. The more content there is, the less people see of any one piece, whether limited by an algorithm or simply hidden by newer updates.
Worrying what percentage of followers we reach has become an industry obsession, alongside rumours that those fans may be fake, and that all the young people have moved to something new. Never mind that most brands don’t truly have a business-significant number of fans in the first place, or that they aren’t close to reaching all the youth that definitely is still present.
Social is no longer about a few thousand fans, it can reach tens of millions in a rich, engaging way. For businesses that work at scale, this means, at last, that it deserves meaningful investment.
More fundamentally, though, this focus on fans stands at odds with the penetration objectives of much major marketing investment. This is especially true for big FMCG brands needing to reach millions of disloyal consumers. While paying to reach an already "earned" audience may feel unfair, the introduction of promoted posts to go far beyond this actually represents a quiet revolution in the value that mass marketers can get from social platforms.
Previously, we built competition tabs to persuade people to follow us, so we might then communicate our messages to them. Now we can put our content in front of a carefully targeted, and potentially vast, audience whenever we need to. Social is no longer about a few thousand fans, it can reach tens of millions in a rich, engaging way. For businesses that work at scale, this means, at last, that it deserves meaningful investment.
This newfound scalability has driven business results comparable to TV for Mondelez. It’s no surprise, then, that it coincides with the announcements of its global social partnership with Facebook, adding to an existing one with Twitter as well as innovative trials of Google’s +Post format.
There is, of course, a rich creative challenge in producing content that can engage millions of consumers when they do see it, and that’s at the heart of Mondelez’s "Storytelling at Scale" approach. With great scale comes great responsibility, and brands that promote content people don’t want to see will only get an even bigger negative response to it.

The New Twitter Profile Page: Complete Image Size Guide

The New Twitter Profile Page: Complete Image Size GuideTwitter has rolled out its new-look profile pages to all users (you can get yours here), and with the update comes a resize of header photos and avatars, which means you’ll likely have to do a little maintenance to get your page looking tip-top.
So, load up your favourite image editor, head on over to your Twitter profile settings page, and let’s get started.
Header Photo (1500 pixels wide x 500 pixels high, 5MB maximum)
This is the main image across the top of the screen. Twitter recommends 1500×500 pixels but the header photo will always blow-up to be screen-wide, which means a 1500×500 image can look pretty lousy on a 27-inch monitor unless it’s saved at a very high resolution. Otherwise, it pixelates.
So, either upload a 3000×1000 photo or save your 1500×500 image at the highest possible dots per inch (DPI) you can you manage to squeeze it under the 5 megapixel limit.
(And if you’re looking for ideas, Twitter has a nice gallery of the new-size header photos here.)
Profile Photo/Avatar (400×400 minimum, 2MB maximum)
Twitter recommends a 400×400 minimum here, and the image should be a square (although you can crop during the upload). Again, I recommend saving to as high a DPI as you can – I believe the maximum file size is 2MB although this is no longer specified by Twitter.
The profile photo scales down to 200×200 on your profile page, gets even smaller in timelines, and blows up to full size when somebody clicks on it, so make sure your image looks clear at all scales.
Background Image (no longer needed)
Twitter has essentially phased out background images with this update. While they still show up in certain places as you’re navigating Twitter (at least for now) this is something only you will see, and they’re not visible on your actual profile page by other users.
Really, there’s no point wasting time creating an amazing background image that nobody is going to see. So, head over to your profile design settings and set a solid background colour instead.

Sunday, 4 May 2014

PayPal brand refresh targets 'modern world' of mobile and wearable tech payments

PayPal is rolling out a new brand identity and global ad campaign to reposition the company for the "modern era" of mobile and wearable device payments.

The firm, which last refreshed its branding in 2007, has revealed an updated logo featuring "more vibrant" blue colouring and incorporating its double-P monogram for the first time.
It will be launched with a global ad campaign from Friday (2 May), including a part-animated TV ad showing "ordinary people" talking through key benefits of PayPal’s services. The campaign, using the tagline "People rule", will be supported with outdoor, digital, social and CRM activity.

Ads, devised by Havas Worldwide, will run throughout May and June, before returning to air in the build up to Christmas.
Speaking to Marketing, PayPal UK marketing director Alison Sagar said the brand needed to better reflect changes in technology and consumer behaviour, including the development of digital wallets and wearable tech.
"An awful lot has changed in the world [since 2007], specifically the consumer adoption of mobile, with explosive growth over the last two or three years.  That changes not only the way people shop and interact with media, but also how they are paying for things," said Sagar.
"We wanted to refresh our brand identity to make sure it’s effective and gets across our key messages of simplicity, convenience and security, not just for online but increasingly in mobile and physical stores."
The digital payment space has become increasingly competitive, with internet giants such as Google and Facebook exploring the sector, alongside the rise of so-called ‘cypto-currencies’ like Bitcoin.
However, Sagar denies PayPal feels any pressure from the growing competition for a share of the digital payments market: "I don’t think our strategies are driven by competitor movements.
"We are very privileged to have such an incredible customer base, more than 140m worldwide. We pride ourselves on focusing on what the customer wants. It’s interesting to see competitors try to emulate what we’ve achieved, but the reality is our focus is on how we can serve those customer needs better."